Five hundred words? How can I possibly write a
coherent story in five hundred words (or less)? That’s so few words; and like a
fool, I’ve just wasted thirty-one of them. You see, there’s this contest.
They’ve given me a plot. Now, I only need to use it. But here I sit, in front
of my keyboard, with a case of writer’s block that I wouldn’t wish on my worst
enemy, writing alliterative cliché’s that I know I’m better than. And now I
only have four hundred and four more words to develop character and setting. Staring
at this paragraph doesn’t seem to be helping. Perhaps I need to get out of the
house. Perhaps I need to quit wasting words with unnecessary words like
“unnecessary” and “perhaps.”
I
take the bus downtown, to the market, with the idea that getting lost in a
crowd might somehow spark my creativity, might help to find my story. By the
time I get there, I’m down to three hundred and thirty words. I’m walking
around, proceeding about my business eyeballing trinkets and ignoring buskers,
all the while waiting on a strange person to thrust a mysterious object into my
hand. I know this will happen because that’s the plot that’s been decided upon
in advance. And then it happens. With two hundred and seventy-eight words to
go, I’m caught in a crowd, confronted suddenly by a strange person, who thrusts
a mysterious object into my hand, and without a word, disappears. The
mysterious object, “What is it?” you want to know. It’s an envelope, sealed,
with a handful of words written on one side: “Don’t open until you get home.”
So,
I start for home, making my way out of the crowd, away from the market, towards
the bus stop. I check the schedule: no bus for an hour. With only one hundred
and eighty-seven words left, I don’t have time to wait. And so I run, down
First Avenue, a right on Belmont, over the Morrison Bridge, east towards home.
The envelope weighs heavy on my mind: What
could possibly be in it? Why do I
have to wait until I get home to open it? What would happen if I didn’t? I
consider opening it right here and now, but with only one hundred and fifteen
words left, I don’t dare chance it.
My
muscles ache, I’m drenched in sweat, and with only a mile to go, I’m stopped by
someone I know. “What’s the hurry?” she asks.
“No
time to talk,” I yell in full stride, “I don’t have enough words left for you.”
I
know it was rude, but what can you do when you’re on a budget? I reach my
house, unlock the door, rush to my desk, and go to open the envelope with
thirty-one words to spare. I tear it apart and look inside, and there it is,
exactly what I knew it would be: the end of this story, because I’m out of
words…
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