Start with shit—human shit. Start with Jay tracking
human shit through the emergency room entrance, across the lobby, into the bathroom.
Tell them how he stinks the whole place up with the overwhelming stench of fresh
feces—the entire hospital, which is supposed
to be a safe, sterile environment.
Flashback
to the Allegheny River, to the Kinzua Reservoir, to the bridge you all traveled
so far to jump off of. Flashback to Mikey, to how he had a momentary lapse in judgment,
to how he believed he could leap like an Olympic long jumper. Tell them how he
cracked his shin on the backside of a guardrail—the sharp side of a guardrail.
Tell how he fell to the asphalt and shouted, “I can see the bone!”
Tell
them how you could see the bone, how
the tight skin over his shin was split, not cut, split, like the dry leather on
an old shoe. Tell them how you could momentarily
see the white of his bone before the blood, red and dark, began pouring from
the wound.
Tell
them how Joey drove a hundred miles an hour to the emergency room, how he weaved
in and out of traffic like an ambulance driver, even though Mikey’s condition
was far from an emergency. Tell them how Joey said, “I finally have a real
reason to drive like this!” Tell them how you arrived at the hospital in record
time—the hospital in which Jay would soon track human shit through.
Bring
it back to the present, to Mikey receiving a handful of stitches, to buying booze
at a drive-through beer store, to returning to the bridge—the bridge where
Mikey split his shin open.
Describe
the bridge, about how it must be a hundred feet above the water, about the
ladder leading up to the catwalk underneath, about the human shit covering the
lower rungs of the ladder—the human shit Jay stepped in before tracking it up
the rungs earlier in the day. Tell them about walking across the catwalk, eighteen
wheelers barreling sixty-five miles an hour just above your head, which causes
the catwalk to tremble like a ramshackle ride at the carnival. Tell them how
you can climb over the rail of the catwalk, down another ladder, and find
yourself standing on a concrete pillar sixty feet above the Allegheny River, above
the Kinzua Reservoir.
Tell
them how Tex is about to jump blindly off the upstream side of the pillar when
some local yokel—some Marine home on leave—says “Whoa, wait a sec, bud. I ain’t
ever seen anyone jump off that side before.” Tell them how Tex proceeds to jump
off the “usual” side, how his scream seems to last forever, how he hits the
water’s surface and swims the forty or so yards back to shore.
Next,
tell them about the Marine, how he jumps after Tex, barefoot and silent. Tell
them how when he hits the water he disappears beneath its dark surface, how he
doesn’t come up for fifteen seconds, for thirty, for over a minute. Talk about
what’s going through your mind, about how you think you just witnessed somebody
die, how you don’t know what to do next.
Hold
the suspense, just for a moment, then have the Marine break through the surface
of the water. Have his small audience let out a sigh of relief. Have the Marine
burst out in laughter before he swims back to shore and disappears up the hill,
over the guardrail that Mikey split his shin on and out of your life forever.
Tell
them how Jay and Tex can’t get enough of jumping off the bridge, how they jump,
swim to shore, climb the ladder, cross the catwalk, descend the second ladder,
stand on the concrete pillar sixty feet above the Allegheny River, above the
Kinzua Reservoir, before jumping again, over and over.
Talk
about how you and Josh and Joey stand on the pillar this entire time, watching
them jump, trying desperately to build up the nerve to do it yourselves. Tell
them how you’ve never jumped off anything nearly that high before, how you look
over the edge and vomit from fear. Tell them how Tex calls you all a “bunch of
pussies,” how Mikey claims he would jump
if it wasn’t for his split shin, about how Jay has only words of encouragement to
offer. “It’s easy,” he says. “Just jump. Like this.”
Tell
them about how you realize that traversing back across the catwalk is a more
frightening prospect than actually jumping, how you finally find the courage to
stand on the edge, how the water appears to be a mile below, how it seems like
such a long way to fall. Hold the suspense. Tell them how you finally do it,
how you jump off the pillar, how you seem to fall forever, how you scream as
loud as you can, how you hit the water with a violent force, how you plunge
ten, fifteen, twenty feet underwater, how you hurry back to the surface, how
you swim back to the safety of shore.
Tell
them how Josh and Joey chicken out. How they climb back up the ladder, across
the catwalk, and down the other ladder—the one covered in human shit. Tell them
how Tex rags on them for being “pussies,” how Jay only mentions that they
missed out on an incredible experience, how Mikey claims he would have
definitely jumped if it wasn’t for his split shin.
Tell
them how Joey tells Mikey that he’s “full of shit,” how Tex says, “No, Jay is
full of shit,” how Josh laughs at Tex’s joke, how Jay responds with “At least I jumped off the bridge.”
End the story with
something sentimental. End the story with a quote. Tell them how you’ll never
forget that day, how you’ll never forget that bridge, how you’ll always
remember a certain five words: “I can see the bone!”
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